2024: A Year of Reading In Review

2024 Books

Twelve months ago, when I made a resolution to write a brief review of every book I read in 2024, I didn’t think I would keep it. However, I managed to write something about each book, and it has been really rewarding. Reviewing a book made me organize my thoughts about it and helped me realize themes and other aspects of it that I wouldn’t have otherwise bothered to consider. I managed to read 61 books this year, including some pretty hefty tomes – War and PeaceAnna Karenina, Churchill’s Marlborough I and Neal Stephenson’s Fall.

What are some highlights? Discovering the weird Christian fantasy of Charles Williams was definitely one. Rediscovering the majesty and beauty Tolstoy’s War and Peace and Anna Karenina was another. For sheer reading pleasure, Simon Fairfax’s A Knight and a Spy series was hard to beat. I also learned a lot of English history reading them!

Jim Geraghty’s Dueling Six Demons took one of my favorite action series and really upped the game. I can’t wait for the next installment. Likewise, Andrew Klavan’s A Woman Underground was a terrific and pivotal entry in his Cameron Winter series. Finally, I enjoyed discovering the classic British mystery writer Ngaio Marsh and her Inspector Alleyn character. Since there are over 30 titles featuring the witty and urbane inspector, I have many hours of reading pleasure to look forward to.

Some duds include early John Wyndham (it took a few titles for him to hit his stride), a couple of Edgar Wallace thrillers (very dated with unsympathetic characters), and Neal Stephenson’s Fall was the first book of his that I felt was far too long and dragged in places. 

As a teacher of high school students, I found Jonathan Haidt’s The Anxious Generation and Abigail Shrier’s Bad Therapy very insightful and eye-opening.

In order to have a handy guide to what I read, here’s a list with links to all of my reviews of 2024:

  1. Budd Schulberg: What Makes Sammy Run?
  2. David Grann: The Wager
  3. P. G. Wodehouse: The Small Bachelor
  4. William Faulkner: The Sound and the Fury
  5. Kurt Schlichter: The Attack
  6. William Campbell Gault: Golden Age of Science Fiction Megapack
  7. Charles Williams: War In Heaven
  8. Alfred, Lord Tennyson: In Memoriam
  9. David Berlinski: A Tour of the Calculus
  10. Ernest Hemingway: The Sun Also Rises
  11. M. R. James: Ghost Stories
  12. Lesley Blume: Everybody Behaves Badly
  13. V. E. Schwab: A Darker Shade of Magic
  14. Various Authors: Classic Fantasy Stories
  15. Neal Stephenson: Fall
  16. P. G. Wodehouse: Uncle Fred In The Springtime
  17. Jonathan Haidt: The Anxious Generation
  18. Winston Churchill: Marlborough I
  19. John Wyndham: Foul Play Suspected
  20. Charles Williams: Many Dimensions
  21. Ben Jonson: Volpone
  22. Ken Follett: Never
  23. John Wyndham: Planet Plane
  24. Simon Fairfax: 1410
  25. Abigail Shrier: Bad Therapy
  26. Jules Verne: A Floating City
  27. Simon Fairfax: 1411
  28. Charles Williams: The Place Of The Lion
  29. John Bude: The Cornish Coast Murder
  30. Jim Geraghty: Dueling Six Demons
  31. John Bude: The Lake District Murder
  32. Simon Fairfax: 1412
  33. Edgar Wallace: The Four Just Men
  34. John Bude: The Sussex Downs Murder
  35. Edgar Wallace: The Council of Justice
  36. Simon Fairfax: 1413
  37. Leo Tolstoy: War and Peace
  38. Charles Williams: The Greater Trumps
  39. Simon Fairfax: 1414
  40. John Bude: The Cheltenham Square Murder
  41. Megan Basham: Shepherds For Sale
  42. P. G. Wodehouse: Full Moon
  43. Simon Fairfax: 1415
  44. Ray Bradbury: Science Fiction Megapack
  45. Ngaio Marsh: A Man Lay Dead
  46. Ivan Turgenev: Fathers and Sons
  47. Richard Evans: Listening To The Music The Machine Makes
  48. Julian Barnes: Levels of Life
  49. Ngaio Marsh: Enter A Murderer
  50. Charles Williams: Shadows Of Ecstasy
  51. Andrew Klavan: A Woman Underground
  52. Christine Rosen: The Extinction of Experience
  53. Leo Tolstoy: Anna Karenina
  54. Rod Dreher: Living In Wonder
  55. Simon Fairfax: The Cardinal’s Sword
  56. Ngaio Marsh: The Nursing Home Murder
  57. Catherine Salton: Raphael and the Noble Task
  58. Christopher Morley: Parnassus On Wheels
  59. Christopher Morley: The Haunted Bookshop
  60. Charles Williams: Descent Into Hell
  61. Robin Wilson: Lewis Carroll in Numberland

Thanks for reading, and I hope you’ve found my reviews worthwhile. Happy New Year – may 2025 be a good one for you!

Christine Rosen -The Extinction of Experience

Extinction of Experience

Book number 52 of 2024

This book makes a good trilogy with Jonathan Haidt’s The Anxious Generation and Abigail Shrier’s Bad Therapy. Like them, it documents the alarming effects social media and other technologies have on our society. As Rosen writes in the introduction,

Our understanding of experience has become disordered, in ways large and small. More and more people mistrust their own experiences. More and more people create their own realities rather than live in the world around them. We can no longer assume that reality is a matter of consensus. (p.2)

Like the late Neil Postman, author of Technopoly, who foresaw many of the problems technology would bring us, Rosen calls us to be aware of the biases each and every technology includes. Technology can provide wonderful benefits, but they always come at a cost.

Chapter 1, You Had To Be There, takes its title from the old cliché people used when lamely trying to recount some funny or dramatic experience. According to Google Ngram, the use of that phrase steadily rose in popularity from the 1960s to 2012, when it dropped precipitously. 2012 is also the year smartphone ownership saw its largest growth. Thanks to Facebook, YouTube, Instagram, et al., you don’t have to be there – vicariously watching a video is a good enough substitute, apparently.

Every day our experiences are guided by what we say and do online. Anyone with an Internet connection can see more vicarious experiences in one day than previous generations witnessed in a lifetime, and on a scale far greater than television or film provided. Is it any surprise that it is becoming increasingly difficult to distinguish between what is real and what isn’t, both online and IRL [In Real Life]? For an increasing number of us many of our memories are now of experiences that occurred online. (page 24)

Chapter 2 is titled Facing One Another. In it, Rosen argues for the importance of face-to-face communication. Humans have evolved into incredibly sensitive readers of small visual clues. If person-to-person communication is mediated by a technology, we lose those clues. For people who might be motivated to deceive others, that can be an advantage! For the rest of us, interacting with someone virtually makes it hard to measure the trustworthiness of him or her.

However, there seems to be a growing trend of people preferring less human contact. From self-checkout at the grocery store (I’m guilty of preferring this) to ordering from iPads at a restaurant to computerized hospital discharging, more and more tasks are being automated.

The flip side of this is the fact that companies are realizing that incidental in-person interaction is both cost-saving and productive. The exchange of ideas during a casual conversation can not be replicated in a videoconference.

Chapter 3, Hand To Mouse, is about the importance of authentic handwriting.

But we lose something when handwriting disappears. We lose measurable cognitive skills (as we will see), and we also lose the pleasure of using our hands and a writing implement in a process that for thousands of years has allowed humans to make our thoughts visible to one another. We lose the sensory experience of ink and paper and the visual pleasure of the handwritten word. We lose the ability to read the words of the dead. (page 58-59)

Interestingly, young children who learn and master handwriting become better readers. Once students are older, handwriting notes leads to better retention of content than typing them. As adults lose the ability to write in cursive, they may lose valuable cognitive skills.

Likewise, working with your hands is important.

The act of manipulating a tool or of drawing a bow across a string forces us to feel and do simultaneously, and the more skilled we become at the act, the less we have to think about what we are doing. (page 69)

I agree with this from personal experience. I have been designing and putting together stained glass windows for almost thirty years now, and when I get into “the flow” of a project, times passes without my having any sense of it.

Chapter 4 is How We Wait, and it is about how impatient we have become when faced with a line or a wait. Companies measure how long it takes their websites to load, down to the millisecond, because an extra three or four milliseconds mean lost sales and customers.

Rosen posits that filling every waking moment with distraction and entertainment via our devices robs us of valuable downtime that used to lead to daydreaming and free association.

Coping with boredom involves self-regulation. We must decide what to do with the feeling, so we counter desultory everyday experiences by reaching for technologies with assiduous abilities to distract us – so many distractions, each one a siren’s island where attention might founder. In effect, our devices eliminate boredom not by teaching us how to cope with it but by outsourcing our attention so we don’t have to cope with it. (page 95)

I found this chapter relatable – whenever I am in a situation where I am asked to wait, such as a doctor’s waiting area, I resist the temptation to pull out my phone. Instead, I use the time to collect my thoughts, focus on my surroundings and the people around me, and just relax. I am usually the only person not looking at a screen.

Chapter 5 is The Sixth Sense. This refers to our perception of our own and others’ emotions. In other words, our empathy. Unfortunately, most social media platforms amplify negative emotions like anger and hate, because they garner the most engagement. Meanwhile, researchers are developing ways of monitoring our emotional states, so that we can be more productive employees or more easily manipulated consumers.

What kind of world will this be once we have outsourced the job of emotional reflection? Pentland [MIT researcher] says this will be a “sensible” society where “everything is arranged for your convenience.” No need for inefficiencies or embarrassments of a bad second date. One day soon, perhaps, with sensors embedded on our bodies or phones, they will signal us within moments whether our affection is likely to be returned or not, and we can move on. As a representative from Google told a reporter, “We like to say a phone has eyes, ears, skin, and a sense of location…It’s always with you in your pocket or purse. It’s next to you when you’re sleeping. We really want to leverage that.” Eventually the sensors will take on the work of emotional awareness for us, if we let them. (page 131)

What is looming on the horizon are apps that can “read” your emotional state, as well as the state of the person you’re interacting with. Do we want to know if someone doesn’t like talking to us, while we’re talking with them? Do we want others to know our true feelings for them, 24/7?

Chapter 6 is Mediated Pleasures. First, the pleasure of travel is being transformed by technology. Instead of leaving home behind for a new, albeit temporary, adventure, we stay connected to our family and friends, sharing every stage of the journey. Travel is now tourism, which is very different. People are so busy trying to document their trips that they never truly experience them.

According to Rosen, other pleasures that technology has disrupted/corrupted include viewing fine art, sex (of course), games, and even food. In our enjoyment of all these things, the mediation of technology robs us of the visceral sensations we experience when we partake of them in real life. People take more pictures than ever of their experiences, yet they remember less and less of them. I know that one of the most annoying things about going to a concert these days are all the audience members who insist on recording the entire show on their phones. They can’t possibly be enjoying the actual performance, and I can’t imagine them taking the time to watch the concert again on a small screen.

The seventh and final chapter is Place, Space, and Serendipity. In it, Rosen is careful to distinguish between place and space. A place is somewhere people can gather and socialize face-to-face – where serendipitous encounters can take place, like in a neighborhood pub or restaurant. A space is an engineered area that can be real or virtual, but it is not conducive to relaxed and spontaneous interaction.

We are in the process of trading the spatial and social cues that once defined a particular place – a public square, for example, or a local meeting spot – for a more seamless and less physically bounded experience of space engineered by technology companies. The promise is a more efficient delivery of “engineered serendipity”, but the reality may end up being a more predictable homogeneity. (page 186)

I wish that I could say Rosen has suggestions for how to counter the deleterious effects of al this technological mediation, but she really doesn’t, other than going Amish and eschewing technology altogether. Her book is an important one, in that it is a clear-eyed warning of the path down which our society is headed. I’m nearing retirement age; the near future won’t affect me that much. I do worry about the world people under the age of 25 will have to navigate, though.